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SOCIETY FOR PROMOTION OF COMMUNITY STANDARDS INC.

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Ant Timpson and his defunct NZ film festival – Films that set out to shock and offend

August 23, 2015 by SPCS Leave a Comment

“FILMS THAT SET OUT TO SHOCK AND OFFEND” NEW ZEALANDERS in 2002

Evening Post Editorial Comment on Anthony (Ant) Timpson’s now defunct Becks Incredible Film Festival [BIFF]. The last BIFF was staged in 2004. May it R.I. P.

Three Films were withdrawn from the [now defunct] BIFF in 2002, prompted by the actions of the Society for Promotion of Community Standards Inc: Baise Moi (a sexually explicit French Rape film), Visitor Q (featuring necrophilia, incest, gratuitous violence and rape) and Bully.  Interim Restriction Orders were granted by the Film and Literature Board of Review and High Court (in case of Baise-Moi) so that the classifications could be reconsidered by the Board de novo.

“Public debates on censorship serve the useful purpose of refining and fleshing out public attitudes on important moral questions. But in a sense, the debate over censorship begs a very important question. Films such as Baise-Moi and Visitor Q (a Japanese film notable for an explicit sequence involving sex with a corpse) invite attention from morals campaigners because they highlight – even celebrate – violence, perversion and degradation. Their potential to shock and offend is unabashedly used as a selling point by organisers [such as BIFF Director Ant Timpson] of events such as the [now defunct] Beck’s Incredible Film Festival. Society might well ask whether it has lost its way when such festivals rely so heavily on films that focus relentlessly on the dark side of the human condition.” (Evening Post 23/05/2002)

Below: Complete Editorial Comment – The Evening Post, Wellington New Zealand. May 23, 2002

Films that Shock Editorial re SPCS and censorship

For background story see:

https://www.spcs.org.nz/revitalised-campaign-against-gratuitous-sexual-violence-in-movies-ignites-censorship-debate/

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Filed Under: Censorship Tagged With: Ant Timpson, Anthony Timpson, Baise-Moi, Beck's Incredible Film Festival, Visitor Q

SPCS revitalised campaign against gratuitous sexual violence in films – ignited censorship debate

October 5, 2014 by SPCS Leave a Comment

Prior to its application to become a registered charity with the Charities Commission, the Society for Promotion of Community Standards Inc. (SPCS) engaged in a “revitalised campaign” against gratuitous sexually explicit movies screened in New Zealand cinemas, focusing on those such as Baise-Moi (French = “Rape-Me”) which was scheduled as an opening show-piece in the now defunct Beck’s Incredible Film Festival (B.I.F.F.) directed by Mr Ant Timpson. The R18 classifications issued to this morally putrid film and others like the Japanese film Visitor Q, were appealed by the Society to the Film and Literature Board of Review, to test whether or not the Chief Censor Bill Hastings and his staff had correctly applied the censorship laws to safeguard the “public good”.

Both films were effectively shut out of Timpson’s B.I.F.F. and after protracted litigation through the courts, the Court of Appeal issued decisions upholding in large part the concerns raised by SPCS. The Society contended that the Chief Censor had well passed his “use-by date” as a competent censor, having become “desensitised” by excessive exposure to the injurious, corrupting and toxic impact of so many films containing explicit sexual content and gratuitous sexual violence he had had to view. The vast bulk of publications (films, videos, DVDs and magazines etc) he had “examined” over his lengthy career as a censor involved the degradation, dehumanisation and demeaning of women and are “injurious to the public good”. The Society’s concerns about the Chief Censor and his Deputy Ms Nicola McCully, were taken up by a number of MPs in the House of Representatives and eventually Hastings left the job.

Bill Hastings served as NZ’s tenth Chief Censor from October 1999 to July 2010. Prior to that he was Deputy and Acting Chief Censor from December 1998 to October 1999. He was a member of the Indecent Publications Tribunal from 1990 to 1994 and Deputy President of the Film and Literature Board of Review from 1995 to 1998. He played a key role as Deputy of that Board in issuing a highly controversial decision that banned the “talking heads” Living Word videos. This decision was subsequently overturned  by the Court of Appeal and the videos were classified as “unrestricted”. The Board was forced to concede the obvious – the videos contained nothing that remotely came within the five censorship “jurisdictional gateways” of the censorship Act – involving “sex, horror, crime, or cruelty or violence” – the basis upon which a publication can  be classified “objectionable”.

Download a high-resolution PDF version here.

David Lane SPCS - Revitalised campaign against gratuitous sexual violence in films
David Lane SPCS Revitalised campaign against gratuitous sexual violence in films

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Filed Under: Censorship, Film Ratings, Porn Link to Rape Tagged With: Ant Timpson, Anthony Timpson, Baise-Moi, Beck's Incredible Film Festival, BIFF, Bill Hastings, Bully, Chief Censor, David Lane, Film and Literature Boiard of Review, free speech, Karl du Frene, Living Word videos, Paramount Cinema, sexual exploitation, sexual violence, Visitor Q

Chief Censor Bill Hastings and Hardcore Pornographer Steve Crow

October 22, 2007 by SPCS 3 Comments

In a press release issued last year to explain why his Office had banned the Otago University student magazine Critic, which featured a controversial essay on drug rape, Chief Censor William (Bill) Kenneth Hastings described a male pornographer whose profile was also featured in the magazine, as one “who makes a living by filming the extreme degradation and humiliation of women for sexual arousal.” [1]. The man concerned has done well financially making obscene hard-core pornography, just like flamboyant 50-year old New Zealand pornographer Steve Crow – dubbed NZ’s “Porn King” by the media. Crow became infamous in 2002 for seeking unsuccessfully to use the facilities of the Waikato District Hospital to film the birth of his aspiring ‘porn star’ Nikki’s baby, so he could incorporate the birth scene into his sleazy porn film entitled “Ripe” [2].

Crow, who recently failed in his bid for the Auckland mayoralty, continues to promote his most visible enterprise Erotica Adult Lifestyles Exhibitions (“SeXpo”),  promoting it via his “Boobs on Bikes” parades of topless pornstars in various New Zealand cities. He boasts that his business is the largest supplier of “adult” explicit sex publications (DVDs etc.) to the New Zealand commercial market. According to a North & South report, [in 2002] “he, his ex-business partner Fiona Gibb and his company Vixen Direct” faced no less than “135 criminal charges” – pleading guilty to 33 of the lesser charges – relating to the distribution of “objectionable” publications [3]. A Listener report in 2004 notes that he remains perfectly happy to be called a “pornographer” and a “sleazeball” [4]. He is managing director of the so-called “adult entertainment” (porn) empire CVC Group Ltd.

Hastings, like Crow, also has a job dealing with hard-core porn sleaze, earning about $190,000 a year censoring publications featuring the extreme degradation and humiliation of women for sexual arousal, paedophilia, sexual violence, necrophilia, bestiality, sex involving human faeces, and other “objectionable” content. However, one key difference between the two men is that Crow invests his own money into making, watching and selling degrading moral filth, while Hastings gets paid by the tax-payers of New Zealand to watch and re-watch it and study it in excruciating detail.

Hastings, dubbed “Mr Clean” in a recent NZ Herald article [5] and his dream team, predominantly women, operate from a plush office on the 4th Floor of BP House in Wellington, with spectacular commanding views over the harbour. They write lengthy reports that provide the legal justifications for why this hard-core porn garbage can be viewed by those 18 years of age and older – classifying most of it as serving the purpose of “entertainment” – serving the purpose of adult sexual titillation etc. Hastings would maintain that by writing these lengthy reports detailing the finer nuances of all these explicit and degrading sex acts, etc. they are strictly fulfilling the requirements of the legislation by viewing and classifying the publications. [Read more…]

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Filed Under: Censorship, Films, Pornography Tagged With: Baise-Moi, Bill Hastings, Boobs on Bikes, Chief Censor, Critic, Hon. Rick Barker, Irreversible, Nicola McCully, Otago University Students Magazine, Peter Brown, porn film, pornographer Steve Crow, Rick Barker, Stephen Peter Crow, Steve Crow, Visitor Q, Vixen Direct, William Kenneth Hastings

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